Spent an hour typing down my thoughts on oddsac and chz and was automatically logged out and the text was deleted.
Okay, second try:
ODDSAC:
I pretty much agree with most people that its an enjoyable watch with some very great songs on it. Mr Fingers and Kindle Song are the perfect opening.
Those two also have the perfect match of audio and visuals on the whole disc. All the "proper" songs on ODDSAC are on par with the songs on MPP or strawberry jam for me.
Screens is just beautiful.
Working and Tantrum Barb are awesome, even if I wish that Working wasn't disrupted by the bursts of noise and the deep bass in Tantrum Barb wasn't as disorienting.
The whole camp/vamp segment works nicely with the visuals, but is less interesting musically.
Vamp Deak looks like the first zombie in the first resident evil game on the first playstation.
Urban Creme and Mess Hour House are the low points for me, but What Happened ends it on a high not, even though the song is a bit short.
CHz:
CHz dethroned Ark as my favorite AC record when it was released and has been sitting on the throne ever since.
It was exactly where I wanted AC to go at the time: More agressive, more complex, more prog, for a lack of a better word.
I was getting into The Gates of Delirium by Yes right around the time when the first bootlegs of the early CHz shows started appearing.
Both records feature really high energy, sprawling and chaotic songs and have a similar vibe imo.
The radio shows leading up to the release were so nice, I have to go back and listen to them again soon. I remember watching/listening the stream right when it dropped with a friend.
We were completely floored by Moonjock. I was familiar with the boots and already loved the songs that were played live before the release, but I was entirely unprepared for such a rocking opener.
My friend and I just stared at each other in disbelieve during the transition to TS. TS continues the high energy level, what a great song.
Regarding Rosie Oh and it being "shit", I only remeber an interview with panda, where he says that he had to separate himself from the other guys for a bit in order to figure the song out with an acoutic guitar or something.
Can#t find the interview unfortunately. Whatever the case, I love the song to bits, Deaks guitar lines are very playful, the glitchy vocals, and the "I like to embrace it" part is pure bliss.
Applesauce is another stunner, it feels like a successor to Water Curses. Avey rocking a fuzz guitar on Wide Eyed is so unexpected, but yes, please insert it right into my eardrums.
Wide Eyes always reminded me of the 13th Floor Elevators for some reason. Father Time is not quite as dense as the other tracks so far. Great percussion, weird but awesome guitar sound, wonderful intro.
I can see that the other songs may have benefitted from a less dense production approach, but I also think that it really fits the albums thematically and sonically.
I really enjoy the stimuli overload, but I do think that CHz benefits the most from a nice listening setup. It sounds great on good studio monitors and good headphones, but can sound like complete garbage on cheap ones, moreso than other AC records.
Also, all the transitions on this record are perfect! As were Abbys visuals for the stream.
I wish the full thing would still be available somewhere.
Whenever I listen to CHz I have Crimson>Gotham>Honeycomb inserted at this point, they are a nice extra LP side and are all 10/10 songs for me. Also, all the transitions on this record are perfect! As were Abbys visuals for the stream.
I wish the full thing would still be available somewhere.
I can see why some people do not dig CHz as much as other AC records. AC records are usually pretty demanding and require attention when listening, but I think this is especially true for CHz.
In addtion, the songs are pretty heartwrenching and I think one needs to be in the right mood to appreciate them.
I'm glad that more and more people do eventually get around to "getting" it and liking the album more.
I get a bit sad when I read that NTB is regarded as a mere Tomboy throwaway by some. Its the greatest song on the album imo, what a beast.
Aveys swirling synths, deaks colossal stabs, the choir, so much that makes this a monumental epic. The transition to Monkey Riches is great, but Monkey Riches didn't translate as well in the studio as the other.
Its my least favorite song on CHz, but I still like it.
Mercury Man is another relentless trip. I had the worst case of demoitis when the album dropped and the lyrics were changed but I'm used to it now.
Its probably the most "outer space" song of the bunch. I kinda wish it was swapped with Pulleys in the track order, as it always struck me as a great penultimate track.
Pulleys would also be a nice breather track after Monkey Riches. I wasn't too psyched about Pulleys when first listening to it, but its great, especially when they played it live (which I hope they won't do again any time soon, as they played it really often I'd rather wanna see any other CHz track).
Amanita finishes things off on a high note, although it pales a bit in comparison to their other album closers (Brother Sport, Turn Into Something, Too Soon).
Monkey Been to Burntown:
Let's just forget this ever happened.
Tomboy:
I really loved it when it dropped, but I somehow very rarely returned to it in the past few years. I did enjoy listening to it again though. Slow Motion, Jetty, Alsatian Darn, and Afterburner are among pandas greatest songs.
As an album, it somehow doesn't quite work as well as PP or GR, but I can't really explain why. It's great that there are two versions of the album, I gotta go back and also listen to pandas mixes again.