I can't let go of this time or of Dave and Kria. They looked perfect together, sounded perfect together, everything I ever dreamed of as a young man.
You listen to that First Unitarian Church show and that's the only place on Earth I would want to be outside of my wife's arms and my own home.
Only you people know what I mean. The intimacy and love and happiness in the room is incredible and heart-warming. I'm so sad it's gone. I'm old enough to know that life ain't fair but when it sets you thinking, how can you ever really accept it?
As someone who has recently gone through a really intense breakup of 7 years, yeah those early days of pure joy and love were amazing but I am a different person and so is she. People change. Avey has changed, Kria has changed. We will never be in a vacuum and be able to keep the magic that one period of our lives once had.
I will say that Yelling at the Night is an incredible song and it's as much of a crime that it never got an official release as Sponge Luke, From a Beach, Glasslands, etc.
To be honest, if the band still came here, I wouldn't postpone this. I'm very aware of that reality. I also know that this is life but beyond the fortune cookie 'life goes on' inanity, it's genuinely sad and painful to accept that this situation is long gone.
Having a proper binge on this again. Some weaker songs which drift a bit but overall, this is the great lost collection of AC songs, the perfect melange of Sung Tongs and Feels sounds and composition. The atmosphere is unreal, so tender and gentle but brimming with passion and lust and vain clinging to these feelings and moments. Maybe the saddest AC release of all.
Totally agree. I'm probably repeating myself from earlier but this is yet another where the live experience is basically the ultimate version of the album, so much more powerful and the quality of the boots is excellent.
Kria has a new record coming out soon called I Must Be The Devil (no official date mentioned, but the website used to say it was coming in 2018). http://www.kristinanna.com/ has the link to the single which is great in my opinion. She also give an interview about the new record here: https://grapevine.is/culture/music/2018 ... fessional/
I don't know what happened between those two (though I can speculate), but their work together was magic. I still really like her other music though. Apotropaรญosong Armor and Uterus Water have some really cool/eerie/cute moments. I was in Iceland in January and missed a live show of hers by only a day or two which was a shame. Her twin sister had an album you could listen to on the flight over though.
Honestly I think Finally We Are No One was something I was listening to back before I got super into Animal Collective. Her work with mum is actually awesome and part of me wishes she still worked with them.
Also, does Avey's vocals on "Sis Around the Sandmill" remind anybody else of the theme song from Doug?
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"The ocean is salty with God's tears because we killed his son" ~ Conner O'Malley
Bumping this to say Kristรญn Anna Valtรฝsdรณttir's new album is finally out. I'm digging it. It's pretty heavy and emotional sounding. I wish I could decipher the lyrics better.
Snippets from The Vinyl Factory promo article:
Featuring music written for piano and voice between 2005 and 2017, which she calls โa very personal affair, something I did for emotional and spiritual survival,โ I Must Be the Devil was recorded over the last four years with Kjartan Sveinsson (formerly of Sigur Rรณs). It follows the 2015 release of HOWL, also in collaboration between The Vinyl Factory and Bel-Air Glamour Records.
Describing the record, Kjartansson says: โKristรญn roams the earth weaving a thread of her life, her loves, her dreams into this confessional gem of an album. The music is a reflection of life lived away from the norms banging old pianos and celebrating a conflicted lust for lifeโฆ This is a big record full of deep truths, suffering, irony and beauty.โ
I like how piano heavy the album is, and so emotional. it's lovely to have a new release by her (and gyda for that matter). now if only she were to do some europe touring..
Looks like she'll be in London May 16th according to her site. Their's a NY date on there too with a note about more TBA.
Dang, not only did I miss a performance of hers by just a day or two when I was in Reykjavรญk earlier this year, she was a performer at Eaux Claires 2018 in my neck of the woods, but the entire lineup was a surprise so I had no idea and wasn't there. Maybe one day I'll be able to catch her live.
finally have a chance to listen to I Must Be the Devil today, holy smokes is it great. her voice is really something else. cool to see "Place of You" on here after hearing it so long ago as the Uterus Water B-side
He waited until the morning after
He waited with his heartly matters
And all that he said, so silent
And all that he felt, kept inside
And now ghostly voices inside him sing
Oh when two become one
It's half when one's gone
And I do love the she sounded
And I do love the we sounded
I do miss it some, I do miss it some
She waited til the morning after
She waited with her heartly matters
And then wishfully, she closed her eyes
And then wishfully, I can open them
From no one beside her
And voices inside her said
Oh when two become one
It's half when one's gone
And I do love the he sounded
And I do love the we sounded
I do miss it some, I do miss it some
There are days when I think this is my favourite AC release. The lyrics are probably my favourite Dave ever wrote. I hope I live another fifty years tonight enjoy this and I wonder how it will hit me in different ways in all those days before I'm gone.
Sasong and Opis Helpus are extraordinary and if you get into the boots, the live Foetus No Man will make you question why they could ever release it as an instrumental.
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