Last night, Animal Collective performed at The Orange Peel in Asheville, NC. For those who were at the show, you may have seen a table set up for Progress North Carolina Action, who we were introduced to by North Carolina Needs You (http://ncneedsyou.com/). They (http://progressnc.org/) are an organization "dedicated to being a voice for forward-thinking North Carolinians who want to protect the balanced approach to government”. Recently, North Carolina passed a law, known as HB2, that dictates which bathrooms transgender people are permitted to use and attacks the rights of LGBT citizens to sue when their human rights are violated in the workplace. We felt that cornpilling our show, like many others have done in protest of this law, would be a disappointment to our fans and decided to go on with the performance. That being said, we don't condone or agree with any type of bigotry or discrimination.
This year, we’ve been recording and mixing some of our live shows. In an effort to raise awareness and help those fighting for equality, we are making two of our favorite recent shows available for download in a “pay what you want” model. To listen to/download shows from March 9, 2016 at Fonda Theatre in Los Angeles, CA or April 13, 2016 at O2 Ritz Manchester in Manchester, UK please visit https://anmlcollectve.bandcamp.com/ and donate what you’d like to contribute to Progress NC. All proceeds from these downloads will go to that organization. Thanks!
Last edited by jetski on Mon May 09, 2016 2:31 pm, edited 1 time in total.
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Tropic of Cans wrote:
Wish the band would log back on here and tell us all to shut the fuck up
Anyone who was there have an opinion on which set was better? I'm not sure which one to purchase. Would do both but I'm not sure if I want to live shows with essentially the same set list.
I bought both to support the cause, I did pay more than a dollar for each. I think this might warrant being posted in the main forum? It seems like a hard decision to make for a band. And not to be a dick but it might be nice for the band to donate some of the net proceeds from the gig as well.
wow, listening to the LA show now and avey did the "my singing voice is gone" part! that gave me some major chills. He didn't do that at any of the 3 shows I went to
I am out of work and barely scraping by right now. I can really only afford to buy one :'(
Anyone have any suggestions as to which one? I was leaning towards the UK one as it is from a later date and maybe the songs have progressed more. Any help?
You can stream both for free if you want to listen before you buy. I liked the UK one more I think. As you said, the songs have progressed more and the transitions seemed more fleshed out. Just comparing the track lengths, it looks like the UK versions are at least 30 seconds longer for the most part. Both shows sound great though.
I got both and they're amazing. Had someone's boot from Fonda already so if you listen to that vs what's on the Band-camp you can get a good feel for the difference in quality between what AC has recorded and our fan demos. Pretty remarkable stuff.
These are both great. I want to combine them into an all-inclusive "Painting Live" mix. But it isn't going to be easy. I think I'm going to use the Fonda show as the foundation and work in Hounds, Vertical, and Recycling from the UK show. I will probably end up mixing and matching parts here and there.
^that would be sick. if you need Hocus Pocus or Jimmy Mack, check the versions from the 2/24 Irving Plaza boot. Not a soundboard but still great quality
_________________
Tropic of Cans wrote:
Wish the band would log back on here and tell us all to shut the fuck up
goddamn thank god they are dropping more soundboards. this is awesome. I think they finally realize how much it means to us.
yeah no kidding. i wish i had a way of knowing how many hours i've spent listening to different bootlegs over the years vs the studio versions. i think that i've probably spent twice as much time listening to the boots, and that includes the over 1000 listens that most of the studio work has gotten from me over the year. it goes without saying, high quality boots are so very important to me.
^that would be sick. if you need Hocus Pocus or Jimmy Mack, check the versions from the 2/24 Irving Plaza boot. Not a soundboard but still great quality
i guess there's also the radio session version of Jimmy, but not sure if that messes up what you're going for with being able to hear the crowd. agreed that NYC taper's 2/24 boot is as good as it gets without being a soundboard.
These are both great. I want to combine them into an all-inclusive "Painting Live" mix. But it isn't going to be easy. I think I'm going to use the Fonda show as the foundation and work in Hounds, Vertical, and Recycling from the UK show. I will probably end up mixing and matching parts here and there.
I've been thinking the same thing. I started making it before these recordings ever came out. But because I have no experience of mixing whatsoever and I have a bunch of coursework to do, it's been a slow process. Plus it doesn't sound all that great so far.
...i am LOVING these two new live releases...thank you, AC...
...i can't help but think that being asked to be a part of this book... http://www.amazon.com/Heads-Biography-P ... 0306822555
...helped plant the idea of their hopefully soon-to-be-expanded-upon idea of a live music archive for their shows (check the back cover for a dust-jacket blurb from Geo) ...
...in as much as the book covers the historical timeline of hallucinogens (mainly LSD) in the US and it's distribution and associated era-related significance in society, culture, etc...it also highlights just a few specifically extraordinary and essentially significant people involved in the related evolution/revolution through the years...one of whom is Dick Latvala - an acid/pot-head Grateful Dead-worshiping audiophile obsessive of the highest order who's thirst for sound was only matched by his pure love for the kind of music that helped pose as many questions as it helped to answer...he was the Dead's initial audio "vault"-keeper, able to parlay his fandom into a surreal full-time job while also helping the band to finally see and understand the importance of collecting & preserving the band's audio legacy for historical sake (if not, for many selfish reasons of his own that eventually came to fruition once they gave him the keys to the kingdom).
...long story short...AC music is equally essential and vital to me as the GD was 20 years ago when i first started obsessively trading and amassing their bootlegs...and i just hope that these two new releases are a result of AC having recently gained a new-found appreciation for it for themselves and with us in mind too...and that they'll continue to make releases like these available as time progresses...
...and of course...Dave...Noah...Brian...i'd make a great AC Latvala, with just the right touch of Owsley for good measure...jus' sayin'...
wow, listening to the LA show now and avey did the "my singing voice is gone" part! that gave me some major chills. He didn't do that at any of the 3 shows I went to
I was at that show and legit didn't even notice
The post-Alvin hype was too real to let me feel
...i am LOVING these two new live releases...thank you, AC...
...i can't help but think that being asked to be a part of this book... http://www.amazon.com/Heads-Biography-P ... 0306822555
...helped plant the idea of their hopefully soon-to-be-expanded-upon idea of a live music archive for their shows (check the back cover for a dust-jacket blurb from Geo) ...
...in as much as the book covers the historical timeline of hallucinogens (mainly LSD) in the US and it's distribution and associated era-related significance in society, culture, etc...it also highlights just a few specifically extraordinary and essentially significant people involved in the related evolution/revolution through the years...one of whom is Dick Latvala - an acid/pot-head Grateful Dead-worshiping audiophile obsessive of the highest order who's thirst for sound was only matched by his pure love for the kind of music that helped pose as many questions as it helped to answer...he was the Dead's initial audio "vault"-keeper, able to parlay his fandom into a surreal full-time job while also helping the band to finally see and understand the importance of collecting & preserving the band's audio legacy for historical sake (if not, for many selfish reasons of his own that eventually came to fruition once they gave him the keys to the kingdom).
...long story short...AC music is equally essential and vital to me as the GD was 20 years ago when i first started obsessively trading and amassing their bootlegs...and i just hope that these two new releases are a result of AC having recently gained a new-found appreciation for it for themselves and with us in mind too...and that they'll continue to make releases like these available as time progresses...
...and of course...Dave...Noah...Brian...i'd make a great AC Latvala, with just the right touch of Owsley for good measure...jus' sayin'...
awesome post...there still so much mystery with pre2004 boots id say..especially 2000...and even after the mystery remains with songs like spongeluke and reworks like another white singer in 2004..ac is awesome man!!
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