I think the first one ripped from SoundCloud is the top-tier recording from the show - although it suffers from breaks in the recording/missing parts here and there.
sorry for saying it was free . apparently it was someone who made them and was trying to get donations for something but someone said they were free . anyways i got a couple of those and it's beautiful .
sorry for saying it was free . apparently it was someone who made them and was trying to get donations for something but someone said they were free . anyway i got a couple of those and it's beautiful .
Came here to clarify this as well. The guy that had these made them himself and was giving one free for a purchase of his art, which was very inexpensive, we're talking $2-$3. One person claimed they were free outside in the crowd then people just started taking them. I felt really bad for that guy and donated money to him. I had exchanged this conversation with him shortly after. He also had other designs but had not printed those. Wonder what they looked like.
Amazing concert. Super duper cool meeting funeralpudding and sputnik!
Gotta disagree here in theory, TOTALLY depends on where you're recording from. If you in relation to the points of the stacks/speakers is too far past 90 degrees/breaks the square where you and speakers are points in a square, record at 90. We are talking for non-recording peeps here about two possible settings on the Zoom H2 about how wide an angle to record at with two of its four stereo/possible quadrophonic microphones. If you are very far back you definitely want to record at 90 instead of 120, 120 is meant for when you're really close up, if you're far back and recording wide/120, you're gonna get way too much reverb/shit off walls and need to be more focused narrowly at 90 degrees..
point being, far back like Vanity was on balcony, need to be at 90. But more importantly need to be closer to stage/speakers and at 120 like I was on floor.
So point being... I shared my raw recording with another CA'r who told me "holy fucking shit, what the fuck, this is raw? THAT is the bass in your raw recording???"
The reason the recording you will eventually get from me will be the superlative version of this show: my closeness to stage. Vanity was on balcony and I was on floor at least half as close as they were, plus my willingness to hold my recorder above head-height for the whole show plus almost no dipshits talking in my immediate area (a bit of luck there too). I need to kill a couple peaks, absolutely EQ to bring out highs especially, but tbh the best version of this show is yet to cum folks.
Gimme several days, maybe a week, no rush, you already heard the shit. I already opened it in Audacity, need to kill a couple peaks, EQ/bring up highs, maybe amplify the phat bass a couple more percent, amplify...
Here is about last minute of Nadir in the raw on my recording, of all of show I kept going back and comparing this part amongst all recorded shows and this should give you an idea of what's to cum, mine sounds like movie THX compared to other two tbh and this is untouched with EQ/anything, though without amp adjustment turn mine up a bit in volume when comparing here:
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