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im high and what is this?
Wtf is up Emerson
Great to see you here

It is currently Wed May 21, 2025 7:32 pm
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im high and what is this?
Emerson wrote:im high and what is this?
Wtf is up Emerson
Great to see you here
Bought the translucent red vinyl from my record store today -- played it twice tonight.
definitely a speakers album as others have said... those were my favorite listens yet. started playing it at 33RPM by mistake....
by the looks of it, Geologist is playing a lot more instruments than usual? or maybe i've always been ignorant to how many instruments he actually plays. didn't expect to see him playing lap steel guitar.
i gotta listen more closely to hear the banjo on "Cherokee"
blindmowing wrote:Bought the translucent red vinyl from my record store today -- played it twice tonight.
definitely a speakers album as others have said... those were my favorite listens yet. started playing it at 33RPM by mistake....
by the looks of it, Geologist is playing a lot more instruments than usual? or maybe i've always been ignorant to how many instruments he actually plays. didn't expect to see him playing lap steel guitar.
i gotta listen more closely to hear the banjo on "Cherokee"
it plays at 45?
https://www.discogs.com/release/22021675-Animal-Collective-Time-Skiffs
Japanese CD of time skiffs includes a recording of Car Keys from Lexington, 2021-09-08
thanks for the heads up, i always forget about japanese bonus tracks. i assume that's not the hunks boot?
I honestly didn't think We Go Back was gonna grow on me as much as it has, but it is a much more nuanced track than I thought.
If they made some sort of vault to buy soundboard recordings from over the years I would give them so much money
awesome wrote:god i wonder if we'll get some solo stuff this year too, or would that be asking too much
im so weird rn in that i.... DON'T want solo stuff lol. Like if it was some quick and dirty digital surprise drop or something, but they usually have to set a whole half a year aside away from band to do those cycles. Like... can they wait til after Skiffs 2 and THEN all drop solo triple albums...?
i still don’t like we go back. been desperately trying to get into it tho cause its the only track im not in love with. even walker has really grown on me… “we’ll see you there” is now one of my fav moments on the record
Back half of this album is unreal. Front half is fucking great. Strung feels a little long in the context of the album, I really really like it as a song, bouncy and then quite cathartic SJ style coda but I almost think the album flows better going from PJ to Wanker.
You are absolutely free to describe me as a turtle or something.
Listening to PW after this album is such a trip. It sounds good, almost better (as in more unique?) in some ways but also a lot is cast into relief, kinda badly with the retrospective comparison to Skiffs
Synths are often ugly (maybe in an interesting way?) drums feel a little canned, it often feels like they're playing or specifically singing a little too fast, and also kind of feels like they're like doing a bit. Like they're playing a character of some mutant-y vocally weird pop band.
Its sometimes cool... It works for me still on the 2nd half a lot better (On Delay, Bagels, Spilling, Summing and Golden esp) but the 1st half feels kinda rough, esp compared to the incredible stretch of singles on Skiffs.
Idk. That was such a weird era. I loved it at the time and still like PW but um ya. Feel like they're being more themselves on Skiffs in a way. Not like they're lyrically personal much on Skiffs but it feels like less of a bit. And less of a conceptual rule book, less strict parameters.
this is just more negatively comparing PW to Skiffs which is not new but like, eh. Its just weird to compare is all. And its weird that PW is what it sounds like when theyre in the same room together vs Skiffs
jfw7 wrote:thanks for the heads up, i always forget about japanese bonus tracks. i assume that's not the hunks boot?
surely not, right?
surely not
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