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seacrimes wrote:getting OG Scheherazade vibes from Midnight Special, loving this and feeling glad I forgot these songs from when I saw him lol. nice to come in fresh to an AC release for the first time in forever
Who are you
When he sings "it's thrilling me now", he sounds like he's just received a pair of socks for Christmas.
can't wait till defeat gets recorded. alright listening now, hopefully don't feel the same...Anyone take a stab at the lyrics yet? Curious about it after my first listen here at work this AM.
Stanshant wrote:When he sings "it's thrilling me now", he sounds like he's just received a pair of socks for Christmas.
LOL. haven't listened yet but i never get tired of your deep love for this band during the live pre-album phase and then your utter disappointment when the studio recordings drops, CA would not be the same without you
e: yeah man this turned out great, you got stage four demoitis
dud wrote:Stanshant wrote:When he sings "it's thrilling me now", he sounds like he's just received a pair of socks for Christmas.
LOL. haven't listened yet but i never get tired of your deep love for this band during the live pre-album phase and then your utter disappointment when the studio recordings drops, CA would not be the same without you
e: yeah man this turned out great, you got stage four demoitis
true on all points. you forgot the part where stanshant comes back around for a lot of the stuff that's super disappointing to him right when the records drop.
i'd actually read Stan's dismay over this song before listening to it and was expecting some Taken Boy-esque letdown, but this is great!
since I'm 31 and have been listening to AC for half my life now, I feel like I've gotten to where I am able to handle whatever changes they throw when the records drop after having played the songs live beforehand. I probably don't obsess over the boots to the degree that I did from '06-'11, so that might play a factor as well.
love the discourse and tempers flaring over "midnight spesh" rn seem to be bringing 2 decades worth of demoitis to a head, and judging by this when defeat (banshee row) studio drops half the forum will get banned and stanshant will get prescribed something specifically for animal collective related trauma
Not surprised at all that some people are willing to gratefully gobble up whatever crumbs of crusty winnet the band scatter contemptuously in your direction. Tuck in, friends, and I will sustain myself on the pure hope that they somehow don't ruin the two good songs they write in the next decade. I am seriously considering cutting ties with band at this point. They don't appear to have taken on board any of the feedback I have posted on this forum since 2007.
Here's my final piece of well-meaning advice: That harpsichord in Defeat is even more fergalicious than your drug-addled fanbase. Cheers.
their instincts in the studio are often to tone down the energy and emotion, for whatever reason.
Yeh I'm mad
Joking aside, I realised a long time ago that this is a band who are best live and the bootlegs are the best representation of who they are. It's been this way since...When has it not been this way?
Even the stillborn ebola homunculus PW came to life when they started touring it. Going back to the records I heard before the boots, pre-SJ, where demoitis was never even a possibility, it's clear that it was always this way. I love a lot of their albums and a few stand comfortably alongside the live recordings but they are a band which makes consistently underwhelming records and their instincts in the studio are often to tone down the energy and emotion, for whatever reason.
Midnight Special for me is the Mothlight performance where it first meant something to him, not this AOR housewife coffee morning book club palliative care wallpaper soundtrack.
i can def hear it! (re: bros)
lol the disc one lyrics
we can talk about that time that i was light
disc one: moves to havana, colorful sorrys, friends with muppet hats
disc one: college frat party, cafe in venice, sunny boys
disc two is sad that disc two spaces out
disc two's cool but disc two knows it's not
disc one: songs for the atmosphere
disc one: songs for your kid
and we can talk about that time when i was light
disc one: good for the new bird, clink of glasses, another round of that
disc one: rounds the hippies, up with the science, digs the rest
disc two is worried that no one stops around
disc one is happy that they remember them
disc one: songs for the atmosphre
disc one: songs for your kid
and we can talk about that time that i was light
disc one: covered in wawa, moves like the buddha, has aftereffects
disc one: didn't get sappy, plays the tuba, loves G flat
disc two's got something that disc one doesn't
disc one knows that disc two knows it's not
disc one: songs for the atmosphere
disc one: songs for your kid
and we can talk about that time that i was light
... this AOR housewife coffee morning book club palliative care wallpaper soundtrack.
real slippi wrote:dud wrote:Stanshant wrote:When he sings "it's thrilling me now", he sounds like he's just received a pair of socks for Christmas.
LOL. haven't listened yet but i never get tired of your deep love for this band during the live pre-album phase and then your utter disappointment when the studio recordings drops, CA would not be the same without you
e: yeah man this turned out great, you got stage four demoitis
true on all points. you forgot the part where stanshant comes back around for a lot of the stuff that's super disappointing to him right when the records drop.
i'd actually read Stan's dismay over this song before listening to it and was expecting some Taken Boy-esque letdown, but this is great!
since I'm 31 and have been listening to AC for half my life now, I feel like I've gotten to where I am able to handle whatever changes they throw when the records drop after having played the songs live beforehand. I probably don't obsess over the boots to the degree that I did from '06-'11, so that might play a factor as well.
yeah i def try to compartmentalize the boots and look at them as separate entities from the eventual studio releases. been pretty successful at that for a while, the last time i was truly disappointed was with how selfish gene/nadir turned out (and to a lesser extent jabberwocky and popadam). that one hurt too much to not protect myself lol
Stanshant wrote:Yeh I'm mad
Joking aside, I realised a long time ago that this is a band who are best live and the bootlegs are the best representation of who they are. It's been this way since...When has it not been this way?
Even the stillborn ebola homunculus PW came to life when they started touring it. Going back to the records I heard before the boots, pre-SJ, where demoitis was never even a possibility, it's clear that it was always this way. I love a lot of their albums and a few stand comfortably alongside the live recordings but they are a band which makes consistently underwhelming records and their instincts in the studio are often to tone down the energy and emotion, for whatever reason.
Midnight Special for me is the Mothlight performance where it first meant something to him, not this AOR housewife coffee morning book club palliative care wallpaper soundtrack.
...ok boomer
Yeh I'm mad
Joking aside, I realised a long time ago that this is a band who are best live and the bootlegs are the best representation of who they are. It's been this way since...When has it not been this way?
Even the stillborn ebola homunculus PW came to life when they started touring it. Going back to the records I heard before the boots, pre-SJ, where demoitis was never even a possibility, it's clear that it was always this way. I love a lot of their albums and a few stand comfortably alongside the live recordings but they are a band which makes consistently underwhelming records and their instincts in the studio are often to tone down the energy and emotion, for whatever reason.
Midnight Special for me is the Mothlight performance where it first meant something to him, not this AOR housewife coffee morning book club palliative care wallpaper soundtrack.
Way back when, I was a member of a French House board called D@ft Crew. I was one of the top ten posters around the year 2000 and we would all share the hottest French house tunes on Audiogalaxy and we would talk about the latest Daft Punk related side projects over and over and have our own jokes, which were the original memes. I remember making a 'visual joke' on Photoshop in three days which people were talking about months later, one of the highlights of the early Noughties.
There was one guy on the forum, quite a bit older than the rest of us, mid 30s, who seemed to hate Daft Punk and all new French house. He was called Eddie G and he always banged on about the old days and couldn't bear the poppier direction they took on Discovery and around Human After All, he just bailed like a big baby. I realised this morning that I am Eddie G. Sorry.
all my bitches cook grits
Stanshant wrote:Way back when, I was a member of a French House board called D@ft Crew. I was one of the top ten posters around the year 2000 and we would all share the hottest French house tunes on Audiogalaxy and we would talk about the latest Daft Punk related side projects over and over and have our own jokes, which were the original memes. I remember making a 'visual joke' on Photoshop in three days which people were talking about months later, one of the highlights of the early Noughties.
There was one guy on the forum, quite a bit older than the rest of us, mid 30s, who seemed to hate Daft Punk and all new French house. He was called Eddie G and he always banged on about the old days and couldn't bear the poppier direction they took on Discovery and around Human After All, he just bailed like a big baby. I realised this morning that I am Eddie G. Sorry.
Listened to this for the first time in ages after listening to his new single and this is still pure brilliant. Like a beam of light. Anyone who doesn't dig this is pedo tier.
This album is one of the most consistent AC records ever. He absolutely nailed what he wanted to do with it and every song is a winner, albeit in only slightly different ways.
all my bitches cook grits
am I the only one who thinks this version of disc one sounds like the bro's melody? it's less dancy / has less of the drumbeat from the mothlight boot and with that acoustic guitar, it really picks up some of those person pitch/bro's sounds.
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