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Always you or Polly tabbed?
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- Joined: Fri Dec 19, 2014 6:17 pm
Has anyone ever tried tabbing out a version of "Always You" or "Polly" ?
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- Joined: Sat Jun 22, 2013 5:14 am

if it's not on actabs (http://actabs.pbworks.com/) then it's not been posted in any of the usual spots—yukbon is super vigilant about transferring things over.
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rarest dogger
- Joined: Wed Oct 29, 2014 2:11 pm
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Also looking for polly chords.
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(9:49:32) bansh: he's holding all our clits in his hand and singing to them
(9:49:32) bansh: he's holding all our clits in his hand and singing to them

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FKA v.b.
- Joined: Sat Jan 18, 2014 7:55 pm

Polly chords are
Verse: Gb Abm Bbm Abm
Chorus ("Isn't me..."): Ebm Db Abm Gb
That should be the whole song
In the original version the guitars are slightly out of tune (as is to be expected with Feels-era stuff) and also in some sort of alternate tuning, but those are the chords. Also if you don't want to play barre chords, then you can play with a capo on the first fret and just lower each chord by one half-step (i.e. G Am Bm Am / Em D Am G)
Verse: Gb Abm Bbm Abm
Chorus ("Isn't me..."): Ebm Db Abm Gb
That should be the whole song
In the original version the guitars are slightly out of tune (as is to be expected with Feels-era stuff) and also in some sort of alternate tuning, but those are the chords. Also if you don't want to play barre chords, then you can play with a capo on the first fret and just lower each chord by one half-step (i.e. G Am Bm Am / Em D Am G)
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Tropic of Cans wrote:
Wish the band would log back on here and tell us all to shut the fuck up
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- Joined: Tue Dec 31, 2013 2:52 pm
- Location: NC
I'm pretty sure Always You is basically F6 all the way through.
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- Joined: Fri Dec 19, 2014 6:17 pm
How are you playing the F6? As in where on the guitar are you playing it
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- Joined: Fri Dec 19, 2014 6:17 pm
and thank you too!!!
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FKA v.b.
- Joined: Sat Jan 18, 2014 7:55 pm

Ok, here's a bit more in-depth explanation for Always You:
It's one chord the whole time, but it's actually F#6 rather than F6 (pretty much the same thing, but just add a capo on 1st fret). Now note that technically the chord is the same for the whole song, and if you listen closely you'll notice that the lowest note, F#, stays the same the whole time. However, there are slight variations on the chord the whole time. Also since it's from the 2003-04 era I assume there's more than one guitar and possibly up to three, so there are probably several variations of the same chord going on at the same time. Also, keep in mind that AC often play guitar in alternate or open tunings, although I don't really know what specific tunings they use.
So in other words, it's hard to sound *exactly* like AC does in this recording. The good news is, you can sort of fake it by occasionally playing variations on the F#6 chord.
What I would play is start out by playing something like this (with a capo on the 1st fret):
That's an F#major 7 chord (again, with the capo—without the capo it's Fmajor7). You can also play the A string open instead of muting it, if you so desire.
Then once you're comfortable with that, here's a little variation you can throw in by playing the D and G strings as open strings:
Just switch back and forth between those two chords, and that should get you in the ballpark for getting that ringing, droney style of guitar playing that AC used on Campfire Songs, Other Music boot, etc. Hope that helps!
It's one chord the whole time, but it's actually F#6 rather than F6 (pretty much the same thing, but just add a capo on 1st fret). Now note that technically the chord is the same for the whole song, and if you listen closely you'll notice that the lowest note, F#, stays the same the whole time. However, there are slight variations on the chord the whole time. Also since it's from the 2003-04 era I assume there's more than one guitar and possibly up to three, so there are probably several variations of the same chord going on at the same time. Also, keep in mind that AC often play guitar in alternate or open tunings, although I don't really know what specific tunings they use.
So in other words, it's hard to sound *exactly* like AC does in this recording. The good news is, you can sort of fake it by occasionally playing variations on the F#6 chord.
What I would play is start out by playing something like this (with a capo on the 1st fret):
Code: Select all
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-1-
-2-
-2-
-x-
-1-
Then once you're comfortable with that, here's a little variation you can throw in by playing the D and G strings as open strings:
Code: Select all
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-1-
-0-
-0-
-x-
-1-
_________________
Tropic of Cans wrote:
Wish the band would log back on here and tell us all to shut the fuck up
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- Joined: Fri Dec 19, 2014 6:17 pm
Oh man!! You fucking awesome, thank you
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- Joined: Tue Dec 31, 2013 2:52 pm
- Location: NC
I actually looked through some of my old guitar notes and found the page where I wrote down the exact tuning for Always You. I was messing around with open tunings a few years ago and randomly found this, and I was so psyched I had to write it down. Always You is still one of my favorite AC acoustic jams.
So, anyway, I don't know if it's what the band used, but it sounds damn well spot-on.
As Victor_Borge said, the actual chord is indeed F#6. You tune your guitar to FACFCD (be careful not to break your strings), and capo the first fret. To play the song as they do, all you do is strum this open chord and fiddle with pressing some notes on the little E string. It's been a while since I played the song, but if you experiment along to the recording I think you'll quickly find which added notes they add in throughout.
They definitely have at least 2 guitars going for the song, so if you play it alone it won't have some of the beautiful intricacies, but it'll definitely sound accurate.
So, anyway, I don't know if it's what the band used, but it sounds damn well spot-on.
As Victor_Borge said, the actual chord is indeed F#6. You tune your guitar to FACFCD (be careful not to break your strings), and capo the first fret. To play the song as they do, all you do is strum this open chord and fiddle with pressing some notes on the little E string. It's been a while since I played the song, but if you experiment along to the recording I think you'll quickly find which added notes they add in throughout.
They definitely have at least 2 guitars going for the song, so if you play it alone it won't have some of the beautiful intricacies, but it'll definitely sound accurate.
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